Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The botanist Johann Wilhelm Weinmann employed several German artists to provide unsigned color illustrations for his massive study of the iconography of plants. The artists mentioned on the title page included Bartholmaus Seuter (1678–1754), Johann Elias Ridinger (1698–1767) and Johann Jacob Haid (1704–1767). The mixed technique of mezzotint and engraving in multiple colors had never before been used for botanical publications, and so preceded Jacques Gautier D’Agoty’s 1767 attempt, the Collection of Usual, Curious and Foreign Plants , as well as Robert John Thornton’s more graphically successful 1799 Temple of Flora .
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Bartholomaus Seutter (German, 1678–1754) — Aloes
Georg Dionysius Ehret (German, 1708–1770) — Plantae Selectae
Abraham Munting (Dutch, 1626–1683) — Phytographia Curiosa:
Godefroy Engelmann (French, 1788–1839) — Cours d'Histoire Na
S. Curtis (British) — The Botanical Magazine or Flower Garde
De Gouy (French, 1670–1830) — Lillium Pomponium (Turban Lily
Henry C. Andrews — French Rose
Abraham Munting (Dutch, 1626–1683) — Phytographia Curiosa:
Abraham Munting (Dutch, 1626–1683) — Phytographia Curiosa:
Maria Sibylla Merian — Study of Capers, Gorse, and a Beetle
Henri Joseph Redouté (French, 1766–1853) — Crown Imperial Fr
Abraham Munting (Dutch, 1626–1683) — Phytographia Curiosa: