Gilles-Marie Oppenord

Brackets, Caryatids and other Architectural Details (recto and verso)

ca. 1690–1710
Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite underdrawing
30.1 × 19.7 cm (11.9 × 7.8 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Gilles-Marie Oppenord

Design for Stucco Decorations with a Cartouche at LeftDesign for Stucco Decorations with a Cartouche at LeftStudy for a CartoucheStudy for a CartoucheDesign for a Monument to a Military LeaderDesign for a Monument to a Military LeaderStudy for a CartoucheStudy for a CartoucheStudy for a CartoucheStudy for a CartoucheDesigns for a Picture FrameDesigns for a Picture FrameStudy for a Garden CapriccioStudy for a Garden CapriccioStudy for a CartoucheStudy for a Cartouche

More like this

Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso)Anonymous, Italian, Piedmontese, 18th century — Design for aDesign for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and UrnsAgostino (Stanzani) Mitelli — Design for Cartouches DecorateHalved Design for an Altar with Angel and PuttiAnonymous, Italian, Piedmontese, 18th century — Halved DesigDesign for an Overmantel or Door with a VariantAnonymous, French, 19th century — Design for an Overmantel oTwo Alternate Designs for an AltarAnonymous, Italian, Piedmontese, 18th century — Two AlternatDesigns for Ornamental Motifs and for a Herm Supporting a Chimney PieceMoncalvo (Guglielmo Caccia) — Designs for Ornamental Motifs Design for a Tomb for a CardinalAnonymous, French, 16th century|Jacques Androuet Du Cerceau Studies for ConsolesAnonymous, Italian, 16th century — Studies for ConsolesTwo One Half Variant Designs for an Altar and a ChapelAnonymous, Italian, Piedmontese, 18th century — Two One HalfStudy for an Altar with a Figure on a Raised Socle at Left; verso: Study for an Altar with a Figure of an Angel or SaintJoseph Anton Feuchtmayer — Study for an Altar with a Figure Half design for the decoration of an Altar with PuttiAnonymous, Italian, Piedmontese, 18th century — Half design Design for Left Side of an Altarpiece FrameAnonymous, Italian, Piedmontese, 18th century — Design for L