A Quiet Day in the Mortar Battery

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Socially well connected and prominent in photographic circles, Roger Fenton was commissioned to document the British military during the Crimean War. He spent March through June 1855 with the troops, producing 350 wet-plate glass negatives in his horse-drawn darkroom; they were later shown in exhibitions and published in portfolios for purchase. Because of technical limitations and his presumed upper-end clientele, these earliest images of war do not depict death and battle, but rather a more civilized—even languid, as seen here—view of the conflict. Hugh Edwards maintained that practicing photographers and the public needed to learn from past masters, and he acquired two albums of Fenton’s Crimean photographs.

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