Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The impression of Christ’s sweat is said to have formed the original Sudarium when a widow wiped his brow as he paused on the way to his death at Golgotha. This relic and portrait made its way to Rome, and when it came in contact with other cloths, those too bore Christ’s image, in a proliferation that can be seen as a metaphor for the printmaking process. Viewers saying the prayer Salve Sancta Facies (Hail Holy Face) while contemplating the original relic were said to receive indulgences reducing their stay in Purgatory by twenty thousand years. Reciting the prayer before Dürer’s Sudarium could produce similar results.
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Hieronymous Wierix — Sudarium Displayed by Two Angels
Albrecht Dürer|Hieronymus (Jerome) Wierix — The Sudarium Car
Albrecht Dürer (German, 1471–1528) — Sudarium Displayed by T
Abraham Waesberge|Albrecht Dürer — Engraved copies of The Li
Battista Franco — Corpus Christi
Jean Duvet — Saints Sebastian, Anthony and Roch
Lucas van Leyden (Netherlandish, 1494–about 1533) — The Pass
Lucas Kilian — Pietà with Angels (Descent from the Cross)
Abraham Waesberge|Albrecht Dürer — Engraved copies of The Li
Daniel Hopfer (German, c. 1470–1536) — The Calvary
Marcantonio Raimondi|Albrecht Dürer — Shroud of Oviedo: Virg
Albrecht Dürer|Johannes Mommaert — The Descent from the Cros