Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The imagery of Byzantine coins, as well as their use—or not—of religious imagery, reflects the different attitudes toward representation of divine figures as a result of the Iconoclastic (from the Greek eikon, or image, and klao, to break) Controversy, a fierce debate among Byzantine theologians over the appropriate role of images in religious worship that raged in Byzantium for over 100 years from about 730 to 843. On both sides of his coin, Leo V (r. 813–20) holds a small cross. Christian imagery is downplayed, not surprising given the emperor’s stance as a staunch opponent of the use of images in religious worship.
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Ancient Roman — Solidus (Coin) Portraying Emperor Julian II
Ancient Roman — Solidus (Coin) Portraying Emperor Gratian
Ancient Roman — Aureus (Coin) Portraying Emperor Gordian III
Ancient Roman — Tremissis (Coin) Portraying Emperor Arcadius
Ancient Roman — Coin Portraying Emperor Decentius
Ancient Roman — Aureus (Coin) Portraying Emperor Claudius
Ancient Roman — As (Coin) Portraying Emperor Licinius
Ancient Roman — Coin Portraying Emperor Arcadius
Ancient Roman — Aureus (Coin) Portraying Emperor Antoninus P
Ancient Roman — Aureus (Coin) Portraying Empress Faustina th
Ancient Roman — Aureus (Coin) Portraying Emperor Nero
Ancient Roman — As (Coin) Portraying Emperor Galerius