Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
On the occasion of Cardinal-Infante Ferdinand’s triumphal entry into Antwerp in 1635, Peter Paul Rubens designed temporary arches and stages to decorate his procession route through the city. Triumphal processions of this kind were common forms of political theater, enacted to consolidate the power of a regent or monarch. The stage in memory of Isabella Clara Eugenia (2015.11) served to reinforce the dynastic transfer of authority from Ferdinand’s predecessor, who had governed the southern Netherlands from 1598 until the time of her death in 1633. The central image of the stage in her honor, enlarged in the accompanying print (2015.12), shows Ferdinand’s appointment by Philip IV, while the flanking columns represent effects of good government—public health and public safety.
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Allegory of the Farewell of William III from Amalia van Solm
Neptune
The Adoration of the Magi
Isaac and Rebecca at Well
The Marriage of Maximilian of Austria with Mary of Burgundy
The Return of Ulysses
Stage in Memory of Isabella Clara Eugenia, plate 24 from Cas
Firework around the Antwerp Cathedral, plate 41 from Casperi
Antoine Coypel — Allegory of the Glory of the Dauphin
Crispin van den Broeck — The Last Judgment
Aegidius Sadeler, II — Adoration of the Magi
Jan Saenredam — Allegory of Human Nature
Jan Saenredam — Morning, plate one from Four Times of Day
Hieronymous Wierix — Title page, from The Seven Virtues
Anonymous, German, 19th century|Anonymous, Italian, Bolognes
Battista Angolo del Moro|Parmigianino (Girolamo Francesco Ma
Etienne Jehandier Desrochers|Gilles Edme Petit — Frontispiec
Anne Claude Philippe de Tubières, comte de Caylus|Pietro Ant
Mario Bettini|Francesco Curti — Frontispiece of "Aerarium Ph
Philips Galle|Adriaen Collaert|Jan van der Straet, called St