Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Printmaking at Fontainebleau flourished briefly during the 1540s and seems to have stopped altogether by 1547. Jean Mignon was one of the four major etchers whose works are most closely associated with the workshop there. Almost all of Mignon's prints reproduce drawings by Luca Penni (1500/4–1557), an Italian painter active at the chateau. The elegantly elongated figures reflect the influence of Italian Mannerists, especially Parmigianino.
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The Temptation of Eve
Designs for Terms
The Judgment of Paris
Design for a Term with the Head of Woman, Strapwork and Trop
Term in the Form of an Old Man Warming His Hands
Term in the Form of a Woman with Musical Instrument
Male Terminal Figure; Torso with Beard and Turban on a Half-
Mary Magdalen carried to Heaven
Jean Mignon|Luca Penni — Adoration of the Magi
Cornelis Cort|Polidoro da Caravaggio — The Adoration of the 
Cornelis Cort|Polidoro da Caravaggio — The Adoration of the 
Lucas van Leyden — Adoration of the Magi
Anonymous, French, School of Fontainebleau, 16th century|Giu
Bernardino Lanino — The Adoration of the Magi
Frans Crabbe van Espleghem — The Adoration of the Shepherds
Lucas van Leyden (Netherlandish, 1494–about 1533) — Adoratio
Frans Crabbe van Esplegem (Flemish, c. 1480–1552) — Adoratio
Master H. E. (Italian) — The Adoration of the Shepherds
Francesco Brizio|Guido Reni|Pietro Stefanoni|Annibale Carrac
Martin Schongauer (German, c. 1450–1491) — Adoration of the