● On view now — Gallery 201
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Camille Pissarro and his family left France in 1870–71 to escape the Prussian invasion and subsequent civil uprising (known as the Commune). They spent these years in Lower Norwood, outside London. In the neighboring town of Sydenham, Pissarro painted the glass-and-iron Crystal Palace, which was originally designed by Joseph Paxton in 1851 for London’s Hyde Park. Although it was immediately acclaimed for its modern architecture, only two years later the building was dismantled and reassembled in Sydenham. (It was destroyed by fire in 1936.) In this small oil painting, Pissarro relegated what was considered the world’s largest building to the left side of the canvas, as if to give equal space to the “modern-life” scene of families and carriages parading by Sydenham’s more recently constructed middle-class homes.
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Banks of the Seine
Jacob Maris — De Schreierstoren met de brug over de Gelderse
Johan Barthold Jongkind — The Church of Overschie
Jacob Maris — Havengezicht
Alfred Sisley — Saint Mammès–Loing Canal (Saint Mammès–Canal
Stanislas Lépine — The Apple Market
Maurice Utrillo — Sacré Coeur, Montmartre
Johan Barthold Jongkind — Entrance to the Port of Honfleur
Alfred Sisley — Watering Place at Marly