Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Alexander Gardner documented America’s Civil War, concentrating on scenes in camp as well as the tragic aftermath of fighting. After the war, in 1865, he published Gardner’s Photographic Sketch Book of the War, two volumes of 50 prints each accompanied by floridly written descriptions of the scenes he and his photographic staff had witnessed. At Gettysburg—one of the deadliest battles, and a turning point in the conflict—he made the now iconic photograph of a Confederate sharpshooter in his final resting place. In recent years this picture has invited controversy, as historians have argued that Gardner and his assistants, wishing to heighten the impact of the image, moved the corpse, also seen in another photograph in the Sketch Book, and that the gun was in fact the photographer’s and not the soldier’s.
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Queen Emma of Hawaii and Her Entourage
Mrs. Greenhow and Daughter, Imprisoned in the Old Capitol, W
[Thaddeus Stevens Lying in State in the Rotunda of the Capit
[Four Officers]
Scene in Pleasant Valley, Maryland
Indians with Government Agents
Planning the Capture of Booth
Scouts and Guides to the Army of the Potomac
Timothy O'Sullivan — Interior of Breastworks on Round Top, G
Timothy O'Sullivan — Slaughter Pen, Foot of Round Top, Getty
Timothy O'Sullivan — Camp Architecture, Brandy Station, Virg
Roger Fenton — A Quiet Day in the Mortar Battery
Roger Fenton — A Quiet Day in the Mortar Battery
Timothy O'Sullivan — Interior View of the Confederate Line
Victor Prevost — [Rocky Hillside]
Barnard and Gibson — Quaker Guns, Centreville, Virginia
Timothy O'Sullivan — The Pulpit, Fort Fisher, N.C.
Andrew Joseph Russell — Skull Rock, (Granite) Sherman Statio
Barnard and Gibson — Fortifications on Heights of Centrevill
Achille Quinet — Forest and Rocks, Fontainebleau