Workshop of Cornelis Engebrechtsz.
● On view now — Gallery 207
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The half-length format of this jewel-like painting makes the subject of the adoration of the Christ Child accessible, while the departure of the magi and their exotic followers enlivens the rocky landscape of the background. This picture was probably made for the market of discriminating private collectors just developing in the Low Countries in the early 16th century. Cornelis Engebrechtsz. worked in the northern city of Leiden but apparently made this small painting for export and sale in the more cosmopolitan southern provinces of the Low Countries, then the center of the emerging art market. Its design was copied in several paintings and illuminations made in Bruges.
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Jan van Scorel — Adoration of the Magi
Gerard David — The Adoration of the Magi
Pieter Aertsen — De aanbidding van de koningen
Geertgen tot Sint Jans — De aanbidding van de koningen
Quinten Massys — The Adoration of the Magi
Jan Jansz Mostaert — De aanbidding van de koningen
Netherlandish (Antwerp Mannerist) Painter — The Adoration of
The Adoration of the Magi
Master of the Lille Adoration — Holy Kinship
Hans Leonhard Schäufelein (German) — Adoration of the Shephe
Geertgen tot Sint Jans (Netherlandish, c. 1460-c. 1490) — Th
Lucas van Leyden (Netherlandish, 1494–about 1533) — Adoratio