Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During the Renaissance and early modern periods, pastoral motifs (such as shepherds herding livestock) became quite popular, as they had been in antiquity. Pastoral images portray an idyllic fantasy of outdoor living, made to appeal to an urban audience far removed from the realities of agrarian life. One popular pastoral theme was a shepherd playing a flute for a young woman, which could have erotic undertones. Here a young man serenades not only a maiden, but also a menagerie of animals including a cow, a donkey, a goat, and a sheep.
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Cornelis Visscher — Shepherdess Riding on a Donkey, plate 2
Paulus Potter (Dutch, 1625–1654) — The Shepherd
Paulus Potter — The Shepherd
Karel Dujardin — A Shepherdess Speaking to Her Dog
Cornelis Visscher — A Mother an Swathed Child Riding a Donke
Jacob Jordaens — The Master Pulls the Cow Out of the Ditch b
Paulus Potter (Dutch, 1625–1654) — The Shepherd
Nicolaes Berchem (Dutch, 1620–1683) — The Piping Shepherd
Cornelis Visscher — The Ford, plate 1 from Four Landscapes
Claude Lorrain — The Dance on the River Bank
Stefano della Bella — Two Riders Passing a Flock, plate five
Adriaen van de Velde — Peasants with Cattle and Sheep