Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Early in his career, Paulus Potter was strongly influenced by the etchings of Gerrit Claesz. Bleker (1625–1665), which featured pastoral scenes of rustic shepherds and domestic animals. Potter favored works of this nature himself, producing both prints and drawings. Here he examined the relationship between the shepherd and his sheep, showing the farmer calming his herd by playing a flute. The beasts, in return, remain near their caretaker, despite the vast countryside in which they can roam. The sheep sit contentedly in the shade while a farmer plows the land in the distance, allowing Potter to convey the intimate connection of man and animal to the land.
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Paulus Potter (Dutch, 1625–1654) — The Shepherd
Paulus Potter (Dutch, 1625–1654) — The Shepherd
Stefano della Bella — Two Riders Passing a Flock, plate five
Karel Dujardin — Four goats; at the back a nanny goat lies o
Nicolaes Berchem — Shepherd Playing a Flute
Stefano della Bella|Israël Henriet|Artus Gouffier Marquis de
Claude Lorrain — The Herd Returning in Stormy Weather
Claude Lorrain (Claude Gellée) — The Herd Returning in Storm
Jacob Jordaens — The Master Pulls the Cow Out of the Ditch b
Nicolaes Berchem — Herdsmen with Cattle and Sheep in Italian
Adriaen van de Velde — Peasants with Cattle and Sheep
Claude Lorrain — The Dance on the River Bank