Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Death the Strangler refers to an event of some twenty years earlier in Paris, as the caption explains: "The first outbreak of cholera at a masked ball in Paris in 1831." Rethel was influenced by 16th-century images of death, such as Hans Holbein's Dance of Death (on view in gallery 109). Here, the artist's interpretation of death as an overwhelmingly menacing force derives from Albrecht Dürer, whose Apocalypse: The Four Horsemen (also on view in gallery 109) depicts death as a destructive power sweeping away everything in its path.
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Alfred Rethel — Death the Strangler, The First Outbreak of C
Hans Holbein the Younger (German, active England and Switzer
Marcantonio Raimondi|Albrecht Dürer — Two men nailing Christ
Hans Holbein the Younger (German, active England and Switzer
Hans Baldung (called Hans Baldung Grien) — Christ with the I
Charles Antoine Coypel|Lamotte-Houdar|Jean de La Fontaine|Ni
Hans Holbein the Younger (German, active England and Switzer
Max Klinger|Max Klinger|Wilhelm Felsing — Dritte Zukunft fro
Théodore Chassériau|William Shakespeare — "Oh! Oh! Oh!": pla
Albrecht Dürer (German, 1471–1528) — The Large Passion: Chr
Alfred Rethel — Auch ein Todtentanz, plate I
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red