In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
Altripp's image presents a wavy, rose-colored object that flares like a flower on one end and tapers on the other. Nearly translucent, it rests upon watery streaks of rose and blue; the pearly blackish background shows through. In 1949, Elaine de Kooning wrote about Altripp in Art News, observing that he worked in an abstract idiom where "representation is teased as softly defined forms, mobile and leisurely, wind like smoke through compositions" that suggest "natural phenomena" or "attributes," like Plant-Like . She continued: "The unstressed mystical effects that characterize this work are carried more by the tones than by the drawing [and] the atmosphere is that of night."
Be the first to share your thoughts.
Sign in to join the discussion.
Richard Nicolaüs Roland Holst — The Hours
Georges Braque — Still Life - Tans
Charles Demuth — Bermuda: Rooftops through Trees
Eugène Cicéri — Design for a Stage Set at the Opéra, Paris
Edvard Munch — The Researchers: Children's Feet
Raphael (Raffaello Sanzio or Santi) — Fragment of a Tapestry
Piet Mondrian — Underpainting for land and sky
Arthur Wesley Dow (American, 1857–1922) — The Old Bridge or 
Max Beckmann — Clearing Weather
Anonymous — Cloud Study
Odilon Redon — Small Grey Panel I
Franz Marc — Black and white horse in mountain landscape wit