Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Chivalry—with its connotation of the knightly ideal—was intimately connected with the horse (cheval in French). A knight took care to protect his mount, on which he was dependent for the mobility and speed required in both attack and retreat. In Roman times, some heavy cavalry used armor made of iron or bronze scales to protect their horses. From the twelth century on, knights covered their steeds in bands of iron mail (a network of interlocking rings). By the fifteenth century, full-plate armors were not uncommon. This shaffron, or headpiece, is etched in gilt bands with decoration on a finely dotted ground. Riveted between the eyes is an elongated conical spike, perhaps inspired by the horn of the mythical unicorn. A manifestation of great power and wealth, the shaffron has been valued for centuries as an object of beauty, not just as a tool of warfare and sport.
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Gorget and Close Helmet for Foot Tourney at the Barriers
Composite Field Armor
Garniture for Field and Foot Tourney at the Barriers
Close Helmet from an Armor of Tsar Dmitry I
Saddle Steels (Front three piece)
Cantle (Back two piece saddle steels)
Demi Shaffron
Closed Helmet of Elements of Armor for Foot Tournament at th
Italian; Milan — Demi Shaffron of an Infantry Garniture
Northern Italian, Milan — Shaffron
Italian; Milan — Portions of a Jousting Helmet
Northern German — Burgonet
South German; probably Augsburg — Close Helmet for the Joust
English; Greenwich — Burgonet with Falling Buffe possibly fr
Southern German, Nuremberg — Shaffron
South German; Landshut — Close Helmet for the Tourney
South German; Nuremberg — Close Helmet for the Tourney
South German; Augsburg — Close Helmet for the Tourney
Possibly by the workshop of Wolfgang Grosschede
Southern Ger
Islamic — Shishak