● On view now — Gallery 152
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Greek masterpieces were copied early and often. The statues of the 4th-century B.C. Athenian sculptor Praxiteles were especially influential. His male figures were usually languid, youthful, and sensuous. The standing figures bore the body’s weight on one taut leg. The other, bent at the knee, was relaxed. The side of the body with the lowered hip had a higher shoulder, resulting in a pronounced S curve. The muscular yet supple body and the opposing diagonal lines of the hips and shoulders of this torso indicate that its sculptor followed Praxiteles’s principles. A swath of drapery across its back may have been draped in the front over one or both of the youth’s arms.
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Cambodia or Vietnam — Horse-Headed Incarnation of God Vishnu
Ancient Greek — Figure of a Youth from a Funerary Stele (Mon
Ancient Greek — Figurine of a Man
Ancient Greek — Fragment of a Grave Monument
Ancient Greek — Torso From a Doll
Ancient Greek — Statuette of a Female Figure
Olmec — Standing Figurine
Japan — Partial Figure of a Pregnant Women
Ancient Greek — Left Leg Broken at Mid-Thigh
Ancient Greek — Figurine of a Female
Afghanistan or Pakistan
Ancient region of Gandhara — Walking
Afghanistan or Pakistan
Ancient region of Gandhara — Head of