Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This set of four etchings may refer to ancient bas-reliefs Fragonard saw while visiting Rome with an important antiquarian, the Abbé de Saint Non (see 1926.453–55). Indeed, the artist’s design for Nymph Riding on a Satyr’s Back directly derives from a sculpture (now lost) that he saw in the Villa Mattei. The size of the paired oval and rectangular reliefs—one or more of which might derive from ancient engraved cameos instead of large-scale sculptures—remains ambiguous, although hidden objects in the surrounding foliage suggest a large scale. Regardless of their source, the popularity of Fragonard’s printed reliefs reflected the taste for Neoclassicism in France at this time.
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Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nym
Francesco Bartolozzi|Giovanni Battista Cipriani|Francesco Ba
Gabriel Huquier (French, 1695–1772) — Book of Fountains: No
Charles Michel Ange Challe — Diana at the Bath
Abbe de Saint Non — Cupid and Psyche
Jean-Baptiste Marie Pierre — The Seated Nymph (Une fontaine
Charles Antoine Coypel — Venus stopping love
Francesco Bartolozzi|Richard Cosway|J. Walker — Venus and Ad
Henry Fuseli — Heavenly Ganymede, from Specimens of Polyauto
François Boucher|Anonymous, French, 18th century — Cupids Ti
Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nym
Giovanni Larciani ("Master of the Kress Landscapes") — Polyp