Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Cristofano Robetta’s Allegory of Carnal Love depicts a scene of love and death in a friezelike composition, with two pairs of lovers in a triangle-like formation with a putto at each point. Standing at the far left of the scene is an enigmatic divine figure drawing in the bodies of the lovers closest to him with his sash. Is he, like the skull underfoot, a symbol of death, reminding the viewer of what lies in store?
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Jacopo de' Barbari — Three Captives
Cristofano Robetta (Italian, 1462–1534) — Allegory of Carnal
Hans Burgkmair (German, 1473–1531) — The Fall of Adam and Ev
Marcantonio Raimondi — Mars, Venus and Cupid
Antonio Pollaiuolo — Battle of the Naked Men
Lucas Cranach the Elder — The Judgment of Paris
Daniel Hopfer, I — The Bacchanal with a Wine Vat
Lucas Cranach the Elder — The Judgment of Paris
Jean Duvet — Saint Sebastian, Saint Anthony, and Saint Roch
Master I.B. with the Bird — Saint Sebastian
Jan (Johannes) Wierix|Albrecht Dürer — Adam and Eve (copy)