Ancient Egyptian

Tomb Wall Fragment Depicting Abdu and Reputka with Offering Bearers

Old Kingdom, Dynasty 6 (about 2345–2181 BCE)
Limestone
50.2 × 7.6 cm (19.8 × 3 in)

SEE IT IN PERSON

● On view now — Gallery 50

Art Institute of Chicago, Chicago · verified July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Leaning on a tall staff that marks his high social status, Abdu stands beside his wife, Reputka. Such portraits, showing the deceased with idealized rather than individualized faces and bodies, were commonly used in the tomb chapels of upper-class Egyptians. The artisans who decorated these chambers worked from a canon of scenes and poses depicting daily life, family, and religious imagery. Fashions changed over time, but some scenes—such as the image of a wife embracing her husband with one arm, used here and in the fragmentary statue at right—were standard for thousands of years. Names and titles written in hieroglyphs around Abdu’s and Reputka’s heads personalize the images of the eternally youthful couple.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Ancient Egyptian

Portrait of a Man Wearing a Laurel WreathPortrait of a Man Wearing a Laurel WreathPortrait of a Man Wearing an Ivy WreathPortrait of a Man Wearing an Ivy WreathFunerary MaskFunerary MaskFunerary MaskFunerary MaskRelief Plaque Depicting the God Horus as a FalconRelief Plaque Depicting the God Horus as a FalconStela of Tjenti and NefretStela of Tjenti and NefretRing: ScarabRing: ScarabEye of Horus (Wedjat) Finger RingEye of Horus (Wedjat) Finger Ring

More like this

Karnak (Thèbes), Édifice en Ruines - Sculptures du la Paroi Intèrieure, en UFélix Teynard|Imprimerie Photographique de H. de Fonteny et Kalabscheh, sculpture de la façade postérieure du temple.Maxime Du Camp — Kalabscheh, sculpture de la façade postérieKarnak (Thèbes), Enciente du Palais - Détailes de Sculptures au Point NFélix Teynard|Imprimerie Photographique de H. de Fonteny et Kalabscheh, Sculptures De La Façade Postérieure Du Temple; Nubie, plate 92 from the album "Egypte, Nubie, Palestine et Syrie" (1852)Maxime Du Camp — Kalabscheh, Sculptures De La Façade PostériGrand Temple d'Isis à Philoe, Tôth Ibiocéphale; Nubie, plate 79 from the album "Egypte, Nubie, Palestine et Syrie" (1852)Maxime Du Camp — Grand Temple d'Isis à Philoe, Tôth IbiocéphDendérah (Tentyris), Temple d'Athôr - Face Postérieure - Cléopatre et CæsarionFélix Teynard|Imprimerie Photographique de H. de Fonteny et Deir el-Medineh, Sacred BargeAntonio Beato (British, c. 1825–1903) — Deir el-Medineh, SacGrand Temple de Dendérah (Teutyres), Sculptures de la Façade Postérieure; Haute-Egypte, plate 19 from the album "Egypte, Nubie, Palestine et Syrie" (1852)Maxime Du Camp — Grand Temple de Dendérah (Teutyres), SculptPalais de Karnak, Pilier Devant le Sanctuaire de Granit; Thèbes, plate 38 from the album "Egypte, Nubie, Palestine et Syrie" (1852)Maxime Du Camp — Palais de Karnak, Pilier Devant le SanctuaiKarnak (Thèbes), Palais - Salle Hypostyle - Colonnade Centrale - Décoration d'un FutFélix Teynard|Imprimerie Photographique de H. de Fonteny et Chak Ak’ Paat Kuy ("Red Turkey") Playing the BallgameMaya — Chak Ak’ Paat Kuy ("Red Turkey") Playing the Ballgame