● On view now — Gallery 50
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Leaning on a tall staff that marks his high social status, Abdu stands beside his wife, Reputka. Such portraits, showing the deceased with idealized rather than individualized faces and bodies, were commonly used in the tomb chapels of upper-class Egyptians. The artisans who decorated these chambers worked from a canon of scenes and poses depicting daily life, family, and religious imagery. Fashions changed over time, but some scenes—such as the image of a wife embracing her husband with one arm, used here and in the fragmentary statue at right—were standard for thousands of years. Names and titles written in hieroglyphs around Abdu’s and Reputka’s heads personalize the images of the eternally youthful couple.
Be the first to share your thoughts.
Sign in to join the discussion.
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Maxime Du Camp — Kalabscheh, sculpture de la façade postérie
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Maxime Du Camp — Kalabscheh, Sculptures De La Façade Postéri
Maxime Du Camp — Grand Temple d'Isis à Philoe, Tôth Ibiocéph
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Antonio Beato (British, c. 1825–1903) — Deir el-Medineh, Sac
Maxime Du Camp — Grand Temple de Dendérah (Teutyres), Sculpt
Maxime Du Camp — Palais de Karnak, Pilier Devant le Sanctuai
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Maya — Chak Ak’ Paat Kuy ("Red Turkey") Playing the Ballgame