Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In his quest to reconcile the Gospels of the New Testament with the spirit of modern science, Gauguin created 14 woodcuts that mix Christian and Polynesian imagery to create the visual equivalents of parables or fables. Here, Eve’s gesture of modesty recalls earlier representations of her expulsion from the Garden of Eden, but the disembodied hooded head, the tupapau (a Tahitian evil spirit), and the rat (the shadow of a ghost) are Polynesian symbols. Combining Eve, an image of guilt and violation, with Tahitian symbols of death increases the potency of the scene. This special impression of Eve is the only known example of the first state in which the black shape in the lower right is blank, before the block was changed; additional white lines appear on Eve and the rat.
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Paul Gauguin — Eve
Paul Gauguin — Eve
Claude Lorrain (French, 1604–1682) — Study of a Seated Woman
Émile Bernard (French, 1868–1941) — Singer at the Café-Conce
Paul Gauguin — Human Misery
Paul Gauguin — Here We Make Love (Te Faruru), from Fragrance
Paul Gauguin — The Universe Is Created
José Guadalupe Posada — A man with a small foot emerging fro
David Young Cameron (British, 1865–1945) — The Little Devil
Mathais Beitler — Blackwork Design for Goldsmithwork with Sa
Édouard Vuillard (French, 1868–1940) — Beyond Human Forces (
Paul Gauguin — Christ on the Cross