Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In his quest to reconcile the Gospels of the New Testament with the spirit of modern science, Gauguin created 14 woodcuts that mix Christian and Polynesian imagery to create the visual equivalents of parables or fables. Here, Eve’s gesture of modesty recalls earlier representations of her expulsion from the Garden of Eden, but the disembodied hooded head, the tupapau (a Tahitian evil spirit), and the rat (the shadow of a ghost) are Polynesian symbols. Combining Eve, an image of guilt and violation, with Tahitian symbols of death increases the potency of the scene. This special impression of Eve is the only known example of the first state in which the black shape in the lower right is blank, before the block was changed; additional white lines appear on Eve and the rat.
Be the first to share your thoughts.
Sign in to join the discussion.
Paul Gauguin — Eve
Paul Gauguin — Eve
Paul Gauguin — Eve, from the Suite of Late Wood-Block Prints
Paul Gauguin — Oviri
Paul Gauguin — Woman Picking Fruit and Oviri
Paul Gauguin — Human Miseries, from the Suite of Late Wood-B
Paul Gauguin — Memory of Meijer de Haan
Paul Gauguin — Manao tupapau (She Thinks of the Ghost or The
Mariano Fortuny y Marsal — Tanger, Arabes Assis
Paul Gauguin — Noa Noa (Fragrant), from the Noa Noa Suite
Paul Gauguin — Interior of a Tahitian Hut, from the Suite of
Odilon Redon — Enigma