Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This Marcantonio Raimondi engraving after Raphael’s fresco in the Vatican Stanza della Segnatura was likely the starting point for the nearby Parnassus Profaned (2015.8). Although with the exception of Apollo, no specific gods or Muses are identified in either the Marcantonio print or the Raphael painting, mortal poets such as Dante Alighieri feature in both. In contrast, in Parnassus Profaned anonymity reigns. The inebriated, lustful poets and Muses tear off their laurel wreaths in a frenzy as they engage in pursuits significantly more earthly than theater, music, or poetry.
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Speculum Romanae Magnificentiae: Galba, from The Twelve Caes
Hercules, grasping Antaeus at the waist with both arms and l
The Massacre of the Innocents (Without the Fir Tree)
Apollo on Parnassus, Surrounded by the Muses and Poets
Speculum Romanae Magnificentiae: Nero, from The Twelve Caesa
Speculum Romanae Magnificentiae: Vespasian, from The Twelve
Martyrdom of Saint Lawrence
Two Fauns Carrying a Child
Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi — A
Marcantonio Raimondi (Italian, 1470/82–1527/34) — Apollo on
Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi — A
Giorgio Ghisi — Apollo and the Muses on Mount Parnassus
Master of the Die — Psyche Gives Presents to Her Sisters
Hieronymus Wierix (Flemish, 1553–1619) — Cupids at Play
Hans Collaert, I — St John the Baptist Preaching
Jan Collaert, I — Moses Striking the Rock
Giulio Bonasone (Italian, c. 1510–after 1576) — Love in the
Master of the Die — Psyche Telling Her Misfortune to Her Sis
Marco Dente (Italian, c. 1486–1527) — An Assembly of Scholar
Ludovico Carracci|Oliviero Gatti — Allegorical composition w