Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Cotman followed in the footsteps of Thomas Gainsborough and also worked in soft-ground etching (see Gainsborough’s Wooded Landscape with Cows in this gallery). Thirty-nine of Cotman’s landscape etchings were published as the Liber Studiorum in 1838. This composition was based on sketches the artist made on the site during his journey through Wales in 1800.
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Frank Short (British, 1857–1945) — Little Devil's Bridge
Eugene Bléry (French, 1805–1886) — The Mill and Waterfall of
Auguste Louis Lepère (French, 1849–1918) — Le Clovis, Platea
Georg von Dillis (German, 1759–1841) — The Old Willow at a B
Alphonse Legros (French, 1837–1911) — The Old City
Tancrède Abraham — Sentier du Tambourin, Ile de Noirmoutier
Charles François Daubigny (French, 1817–1878) — Banks of the
Carl Wagner — Landscape with cattle in Weißbach on the Rhön
Johann Georg von Dillis — Reclining Man in a Mountainous Lan
Alexandre Calame (Swiss, 1810–1864) — Oeuvres de A. Calame: 
Alphonse Legros (French, 1837–1911) — In the Woods
Charles François Daubigny (French, 1817–1878) — The Goatherd
