Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Cotman followed in the footsteps of Thomas Gainsborough and also worked in soft-ground etching (see Gainsborough’s Wooded Landscape with Cows in this gallery). Thirty-nine of Cotman’s landscape etchings were published as the Liber Studiorum in 1838. This composition was based on sketches the artist made on the site during his journey through Wales in 1800.
Be the first to share your thoughts.
Sign in to join the discussion.
Elizabeth Murray — Mountain Waterfall
Frank Short (British, 1857–1945) — Little Devil's Bridge
Joseph Mallord William Turner — Mill near the Grand Chartreu
Eugene Bléry (French, 1805–1886) — The Mill and Waterfall of
Auguste Louis Lepère (French, 1849–1918) — Le Clovis, Platea
Georg von Dillis (German, 1759–1841) — The Old Willow at a B
Johann Christoph Erhard — In Höllenthal
Alphonse Legros (French, 1837–1911) — The Old City
Franz Joseph Leopold — Wooded Mountain Landscape with a Smal
Tancrède Abraham — Sentier du Tambourin, Ile de Noirmoutier
Johann Samuel Bach — Forest Scene with Waterfall and Two Fig
Charles François Daubigny (French, 1817–1878) — Banks of the