Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A wince-inducing, humorously sexualized take on now outdated medical practices, Cornelis Dusart’s etching shows a woman undergoing minor surgery. Possibly to alleviate a female complaint, heated glass cups are applied to her feet. These raise blood-filled boils, which the attendant then lances and purges of bad blood. The appended verses and the bill of fare hanging on the mantelpiece both mention clystering as a subsequent treatment option: the upward diagonal angle of the clyster (an enema or douche) in the male attendant’s belt lends credence to the implication that the treatment doubled as an ersatz form of sexual congress.
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Cornelis Dusart (Dutch, 1660–1704) — La Ventouse
William Hogarth — A Harlot's Progress, Plate 3
Cornelis Dusart (Dutch, 1660–1704) — Violin Player Seated in
Gustav Heinrich Naeke — Rumpelstiltskin Appearing to the Mil
Pieter Serwouters — Allegory of Marital Strife
Nicolaus Heideloff|Thomas Rowlandson|Rudolph Ackermann, Lond
Thomas Rowlandson — Fiddler, Sailor, Two Women and a Pig by
Adriaen van Ostade — The Family
Charles Jacque — Women Washing
Adriaen van Ostade (Dutch, 1610–1684) — Peasant Settling his
Adriaen van Ostade (Dutch, 1610–1684) — Peasant Settling his
Jacques Dassonville — Interrupted song