Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The mezzotint medium is particularly effective in this and a related print by Cornelis Dusart, in which the high level of contrast emphasizes the presence of fiery light. To the left of the woman, flames engulf a wooden wheel; and to the right, townspeople gather in celebration. The man in a related image has several more rockets secured in his belt, ready to be lit (1964.46). These pyrotechnics celebrated King William III’s reclamation of the city of Namaur from the French, who had previously besieged it in 1692.
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Arthur Boyd Houghton — Women of Montmartre, from "The Graphi
Alphonse Legros (French, 1837–1911) — The Beggars of Bruges
Auguste Louis Lepère (French, 1849–1918) — Marchande de Serp
James Ensor (Belgian, 1860–1949) — The Vengeance of Hop-Frog
Allart van Everdingen (Dutch, 1621–1675) — Reynard the Fox:
Théodore Chassériau — Honest Iago, my Desdemona must I leave
Jacques Callot|Anonymous — Copy of La Dame Coiffée d'un Gran
Eugène Delacroix — Hamlet and Laertes in Ophelia's Grave, pl
Alphonse Legros (French, 1837–1911) — The Triumph of Death:
José Guadalupe Posada — A female soldier standing
Frans Floris, I — Victoria Surrounded by Prisoners and Troph
Esprit Antoine Gibelin — La Coaltion