Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Joseph Wright of Derby's painting An Iron Forge was first exhibited in June 1772, and its publication as a mezzotint, executed by the master engraver Richard Earlom, followed six months later. The choice of subject reflects Wright's interest in unusual light effects and his connections to science and industry.
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Liber Veritatis: No. 89, View of a Mountainous Extended Cou
The Superb Lily, from The Temple of Flora
The Superb Lily, from The Temple of Flora
Liber Veritatis: No. 68, A Landscape at Sunset with Fisherm
Liber Veritatis: No. 145, A Landscape, with Figures, Simon
Liber Veritatis: No. 138, A View of the Sea, with Christ Pr
Liber Veritatis: No. 135, A Landscape, with Buildings, Merc
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs
Richard Earlom (British, 1743–1822) — The Blacksmith
Thomas Rowlandson — A Blacksmith
Eugène Delacroix — The Blacksmith
Théodore Géricault (French, 1791–1824) — The Flemish Blacksm
Théodore Gericault — The Flemish Farrier
Eugène Delacroix (French, 1798–1863) — The Blacksmith
Charles Jacque|Auguste Delâtre — The Counterfeiters
Charles Jacque — The Counterfeiters
John Boydell|Joseph Wright (Wright of Derby)|Richard Earlom
Charles Jacque — The Counterfeiters
Eugène Delacroix — A Blacksmith
Charles Jacque — Forge