Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Ike Taiga was a revolutionary known for revitalizing Japanese painting traditions in the eighteenth century. He infused the Chinese-inspired ink painting ( nanga ) that was gaining favor among intellectuals in Kyoto with a purely Japanese aesthetic and humor. Group Pilgrimage to the Jizo Nun is a snapshot of contemporary life in Japan presented from Taiga’s unique perspective. The print depicts pilgrims making offerings to the Jizo nun, a holy woman believed to be able to communicate with the bodhisattva Jizo, who had the power to save souls in the afterlife. Group Pilgrimage contains an inscription relating the story of the Jizo nun. Taiga was a master calligrapher, poet, and seal carver and was well versed in all forms of writing, from ancient seal script to cursive kana. Here he rendered the inscription in a cursive, informal style very much in keeping with the spontaneity of the painting itself. Taiga was also renowned for his use of finger painting and other odd techniques. Although opinions vary as to whether or not this work is a finger painting, it is clear that Taiga did not use a traditional brush. It seems likely that this could be a “paper twist painting,” in which the
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多治比文子 北野天神縁起絵巻 断簡 (Tajihi no Ayako, Kitano Tenjin engi emak
Kubo Shunman
拾遺古徳伝絵断簡|Illustrated Biography of Hōnen (Shūikotokūden-e)
能楽風俗図絵巻|Six Noh Performances in Scenes from Daily Life
住吉物語絵巻 詞書断簡|The Tale of Sumiyoshi
異国人交易図屏風|Foreign Merchants in Japanese Trade Port
Senga — Women Reading Book and Babysitting
Section of an Illustrated Tale of Genji Poetry Contest
Hishikawa Moronobu — Flower Viewing
Hishikawa Moronobu — A Passing Palanquin, from the series "S
Zisai Miyake — Festive Gathering