Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Cornelis Dusart made a series of seven prints documenting the jubilation that erupted after King William III of England reclaimed the city of Namur from France on September 2, 1695. The pyrotechnician on the left (1964.46) has a full arsenal of rockets secured to his belt while the woman on the right (1964.47) prepares to launch a firework. At her side are a bottle of alcohol, a pipe, and a drinking horn to fuel her gaiety; the keys symbolize her renewed sense of security. The mezzotint medium is particularly effective in heightening the drama of nighttime scenes, with the dark velvet shadows emphasizing the presence of fiery light.
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Charles Meryon — A Soldier Standing, in Profile
Salvator Rosa — A warrior facing left wearing a plumed hat a
Philippe Jacques de Loutherbourg|Matthias Pfenninger — Two S
Philippe Jacques de Loutherbourg — Standing Soldier Seen fro
Jacob de Gheyn, II — Colonel, from Officers and Soldiers of
Filippo Napoletano — Soldier in Profile Holding a Pike, from
Anonymous, French, 17th century|Abraham Bosse — Gentleman Ho
Unknown — A Pike-Man Turned to Left
Philippe Jacques de Loutherbourg — Standing Officer Holding
Jacob de Gheyn, II — Pikeman, from Officers and Soldiers of
Enea Vico — Costume Plate: German Messenger
Jacob de Gheyn II (Netherlandish, 1565–1629) — Officers and