Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This panel recounts the adventures of the Byzantine emperor Heraclius, who rescued the True Cross and returned it to Jerusalem after its capture by Chosroës, king of Persia. These scenes were probably part of an extended narrative on an altarpiece dedicated to the Holy Cross, a relic that was much venerated in the Middle Ages. In this scene, the emperor brings the True Cross back to Jerusalem in triumph. However, an angel bars his way, pointing out the vanity of his procession in comparison to Christ’s humble entry into the city. Only when the emperor dismounted and approached in humility was he allowed to enter, a scene that was no doubt once part of the sequence. Here the emperor is identifiable by the double-headed eagle, which was an emblem of both the Holy Roman emperor of the day and past emperors.
Be the first to share your thoughts.
Sign in to join the discussion.
North Netherlandish (Bruges) Painer — Christ Bearing the Cro
Lucas Cranach the Elder — The Crucifixion
Quinten Massijs (I) — Christ Carrying the Cross
Master of the Freising Visitation — Christ Carrying the Cros
Master of the Worcester Carrying of the Cross — Christ Carry
Master of the Schlägl Altarpiece (German) — Altarpiece with
Jan Provost — The Crucifixion
anonymous — Crucifixion with Saints Cosmas and Damian
Master of the Schlägl Altarpiece (German) — Altarpiece with
Matteo di Giovanni (Italian, c. 1435–1495) — The Crucifixion
Albrecht Dürer (German, 1471–1528) — Christ Carrying the Cro
Lucas van Leyden (Netherlandish, 1494–about 1533) — The Pass