● On view now — 117A Italian Renaissance
Cleveland Museum of Art, Cleveland · verified August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This small picture belonged to a predella, a series of subsidiary panels consisting of narrative scenes and situated at the bottom of an altarpiece. Predella paintings are significant because the artist was allowed more freedom and inventiveness here than in the higher part of the altarpiece. In this Crucifixion scene, the harmony of colors, the monumentality of the figures, and the symmetry of the composition all reflect the classical spirit of Renaissance Italy. Moreover, the panel shows some characteristics of the traditional Sienese school—such as the quality and elegance of the lines—which persists in Giovanni’s works.
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Benvenuto di Giovanni — The Crucifixion
Master of the Schlägl Altarpiece (German) — Altarpiece with
Sodoma (Italian, 1477–1549) — The Crucifixion
Luca Signorelli — The Crucifixion
Pietro Perugino — The Crucifixion with the Virgin, Saint Joh
Francesco del Cossa — The Crucifixion
Giovanni di Paolo di Grazia — De kruisiging
Benvenuto di Giovanni — Christ Carrying the Cross
anonymous — Crucifixion with the Virgin, Saint John, Mary Ma