● On view now — 117A Italian Renaissance
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This small picture belonged to a predella, a series of subsidiary panels consisting of narrative scenes and situated at the bottom of an altarpiece. Predella paintings are significant because the artist was allowed more freedom and inventiveness here than in the higher part of the altarpiece. In this Crucifixion scene, the harmony of colors, the monumentality of the figures, and the symmetry of the composition all reflect the classical spirit of Renaissance Italy. Moreover, the panel shows some characteristics of the traditional Sienese school—such as the quality and elegance of the lines—which persists in Giovanni’s works.
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Carlo Crivelli — The Crucifixion
Bernardino Jacobi Butinone — The Descent from the Cross
Master of the Schlägl Altarpiece (German) — Altarpiece with
Sodoma (Italian, 1477–1549) — The Crucifixion
Giovanni di Paolo di Grazia — De kruisiging
anonymous — Crucifixion with the Virgin, Saint John, Mary Ma
Marcellus Coffermans — Crucifixion
Jan Provost — The Crucifixion
anonymous — Mary Magdalene at the foot of the cross
anonymous — Crucifixion with Saints Cosmas and Damian
Flemish — Christ on the Cross
Martin Schongauer — Crucifixion