Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Triumph of Bonaparte celebrates the French defeat of Austria and the signing of the Treaty of Lunéville in 1801. Napoleon, as first consul of the Republic, stands in a chariot flanked by Victory and Peace. The Muses precede the chariot, while the Arts—painting, sculpture, and architecture—follow behind. A work of unbridled propaganda, the drawing is also a call for Napoleon to support the arts. Prud’hon’s idiosyncratic style blends a frieze-like arrangement of figures and overt references to ancient Rome (hallmarks of the period’s classicizing tendencies) with a soft sensuality inspired by Leonardo da Vinci and other Italian Renaissance masters.
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Jacobus Smies — Classical Scene with Young Couple in Chariot
Claude Mellan — Allegory in Honor of Louis XIV
Peter Paul Rubens|Pieter Soutman — The Abudction of Proserpi
Pompeo Girolamo Batoni — Triumph of Love (after antique bas-
Joseph Fratrel — The Arts and Sciences Honoring Their Protec
Thomas Stothard — Female Warriors Coming to the Aid of Brita
Will Hicock Low — Foremost in the Envious Race
Étienne Delaune — Triumphal March, from Combats and Triumphs
Lodovico Lipparini — Feast of Ceres
Lelio Orsi — Apollo Driving the Chariot of the Sun
John Flaxman — Composition from the Tragedies of Aeschylus,
Étienne Delaune — Combats and Triumphs