● On view now — Collection Gallery, Room 20, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
This sheet documents two images of a bulky acrobat with brick-shaped weights resting on his arms. While Picasso's 1905 paintings on circus themes typically depict performers he befriended outside their social function as public spectacles, Picasso turned to drawing to explore the feats of the human body he witnessed during regular visits to Montmartre's Cirque Médrano, a popular site also featured in works by Renoir, Degas, Seurat, and Toulouse-Lautrec.
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At the Theater (The Courtesan)
Woman Seated on Striped Floor
Still Life with Basket of Fruit and Jug
Child Seated in an Armchair (Enfant assis dans un fauteuil)
Standing Nude in Front of a Red Arch
Young Woman Holding a Cigarette (Jeune femme tenant une ciga
The Ascetic (L' Ascète)
Composition: The Peasants
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Henri Lehmann — Back View of a Male Nude
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Eugène Delacroix — Studies of a Lion and a Female Nude (rect
Antonio Canova — Study of a Nude Man in Profile turned to th
Antonio Canova|Anonymous, Italian, early 19th century — Nude
Christen Købke — Study of a Male Nude Shouldering a Wooden B
Jean François Millet — The Woodchopper
Henry Fuseli — Figure Studies (recto and verso)
Sir John Edward Poynter — Study for The Festival
Honoré Daumier — Two Atlantes in Conversation