● On view now — Collection Gallery, Room 10, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
In turn-of-the-century Paris, once-fixed signifiers of identity and meaning were increasingly unstable, and this painting captures the ambiguities of modern life. With her cigarette and yellowing skin, the weary subject has been characterized as a diseased prostitute, but Picasso renders her without eroticism and covers her to the chin. While she sits tall and openly faces the viewer, her wrapped arms communicate withdrawal and enclosure. The flat orange plane registers as a skirt, complementary in color to the blue top, yet it could also be read as a café table. From the start of his career, Picasso embraced indeterminacy in both content and form.
Be the first to share your thoughts.
Sign in to join the discussion.
Amedeo Modigliani — Portrait of Jeanne Hébuterne (Portrait d
Maurice Denis (French, 1870–1943) — Eva Meurier in a Green D
Amedeo Modigliani — The Pretty Housewife (La Jolie ménagère)
Amedeo Modigliani — Girl with a Polka-Dot Blouse (Jeune fill
Harold Gilman (British, 1876–1919) — Sylvia Gosse
Paul Cézanne — Madame Cézanne (Portrait de Madame Cézanne)
Amedeo Modigliani (Italian, 1884–1920) — Portrait of a Woman
Amedeo Modigliani — Beatrice (Portrait de Béatrice Hastings)
Chaim Soutine — Young Girl in Red Blouse (La Petite fille en