Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Given that Buddhism was introduced into Japan from China, and many Japanese priests and monks visited China as part of their training, it is understandable that the influence of China continued to be felt in Japan for centuries. Even during the Edo period, when Japan was all but closed to the outside world, there was still a reverence for things Chinese, as exemplified by the use of treasured Chinese fabric, perhaps once part of a robe, in this striking kesa. The five-clawed dragon indicates Chinese imperial production.
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Manchu — Panel (Furnishing Fabric)
Wang Gai (Chinese, active c. 1677–1705) — Album of Landscape
China — Incomplete Carpet
Manchu — Panel (Dress Fabric)
Manchu — Panel
Southern Germany, probably Württemberg — Table Carpet
China, Possibly Macao — Panel (Dress Fabric)
China — Fragments (Dress Fabric)
Manchu — Uncut Yardage (Dress Fabric)
Han-Chinese — Panel (Dress Fabric)
Iran, probably Kashan — Fragment (Dress Fabric)
China — Panel (Furnishing Fabric)