In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Henry Peach Robinson was a pioneer in the "combination printing" technique, employing a number of negatives to make one photographic print. Keenly interested in portraying picturesque narrative scenes and landscapes, he carefully staged elaborate tableaux, often relying on relatives to serve as models. In Dawn and Sunset he presented a symbolic portrayal of three generations, from infancy to old age. By using the combination method, he was able to exercise greater control over his subjects' poses, gestures, and expressions than would have been possible with a single exposure. The smaller, platinum print version provides an instructive example of how an artist's vision can change when a different process is used to print the same negative. The platinum process provided a warmer, more subtle tonal range than the albumen process. The larger, albumen print appears almost journalistic in its use of harsh, even lighting, whereas in the platinum print Robinson was able to hide many details in dark shadow. This created a sense of unity that is missing in the larger image.
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Frederick Goodall — The Grace, from "Illustrated London News
Adriaan de Lelie — Mother and Two Children with Still Life
William Strang (British, 1859–1921) — Woman and Child
Jozef Israëls — Grandmother's Treasure
Adrien Lavieille (French, 1818–1862) — Four Hours of the Day
Georges de La Tour|Anonymous, Netherlandish, 17th century — 
Charles-Émile Jacque (French, 1813–1894) — The Repast
Adolph Tidemand — Ouders bij het ziekbed van hun kind
Auguste Giraudon's Artist (French) — Two Female Peasants Sta
Benjamin West|Edward Matthew Ward — Benjamin West's First Ef
Jozef Israëls — Old Man and Baby
Théophile Emmanuel Duverger — Le Laboureur et ses enfants
