Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This study is the last in the sequence of three composition drawings for The Dream of Saint Joseph. It differs from the other two in the pose of the figure of the Virgin, which, along with the figure of the Christ child, Testa has cut out and attached. Such attention to detail characterizes Testa's rigorous preparatory process, and it contrasts sharply with the freedom with which he etched the plate.
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Alexander the Great Rescued from the River Cydnus
Portrait of Pietro Testa
The suicide of the philosopher Cato, who lies on his bed pul
The deluge, figures being pulled from the water
The birth and the infancy of Achilles
Adoration of the Magi
Studies for Thieves on the Cross (recto), Sketch of Figures
Plato's symposium: Socrates and his companions seated around
Andrea Mantegna — The Adoration of the Magi (Virgin of the G
Domenico dalla Rosa — Marriage of Saint Catherine
Domenico Theotokópoulos, called El Greco — Female Saint Beho
Jacob Jordaens — Adoration of the Shepherds
Pietro da Cortona — Adoration of the Shepherds
Flaminio Torre — Rest on the Flight into Egypt
Anonymous, Spanish, School of Seville, 17th century — Madonn
Anonymous, Italian, Bolognese 18th century artist — The Risi
Pietro Testa|Giovanni Giacomo De Rossi — The dream of St Jos
Ubaldo Gandolfi — Adoration of the Shepherds
Circle of Alessandro Allori — Vision of Saint Francis of Ass
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)