Italian, Lucca 1612–1650 Rome · 52 works on DiscoverArt
Works
Alexander the Great Rescued from the River Cydnusca. 1650Portrait of Pietro Testaafter c. 1645The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples1648The deluge, figures being pulled from the waterca. 1640–42The birth and the infancy of Achilles1648–50Adoration of the Magi1636–1638Studies for Thieves on the Cross (recto), Sketch of Figures (verso)n.d.Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left1648The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)1612–50Mary Magdalene in the desert, a cross borne by angels at the rightca. 1630The Triumph of Galatea1612–50Achilles Dragging the Body of Hector1648The garden of charity, woman representing Charity at right surrounded by childrenca. 1631–37Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)1612–50Sinorix carried from the temple of Artemis trying to escape the effects of the poisoningca. 1640Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left1648The Holy Family with Attendant Angels1612–50The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdomca. 1630The Prodigal Son Among the Swineca. 1645The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigstyca. 1640–50The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower leftca. 1645The Sacrifice of Isaac by his Father Abrahamca. 1640–2The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four printsca. 1645Standing Male Figure Supporting a Shield1612–50Saint Jerome before a crucifix accompanied by a lion and three puttica. 1631–37The Adoration of the Magi, set before and architectural colonnadeca. 1640Study for 'The Dream of Saint Joseph'1635/37Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the leftca.1645–50Venus giving arms to Aeneasca. 1638–40The Holy Family with the infant Saint John holding an appleca. 1630The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupidsca. 1631–37The Return of the Prodigal Son, Shown Embracing His Sonca. 1645Allegory of Fortune1612–50The Virgin Lamenting over the Dead Christ1612–50A Seated Female Figure Surrounded by Nude Infants1612–50Group of Shepherds and a Ramn.d.Bacchante1642/44Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting1612–50God the Father in Gloryn.d.Three Lucchese Saints interceding with the Virgin for the Victims of the plagueca. 1630–31The Sacrifice of Abrahamca. 1645–50Mars Sending Gorgon to Slay the Artsn.d.The Departure of the Prodigal Son, Shown About to Mount a Horseca. 1645The garden of Venus, proof impression of upper left cornerca. 1631–37The Dream of Saint Joseph1635/37Venus and Adonis1631–37The sacrifice of Isaac by his father Abrahamca. 1640–42The departure of the prodigal son, shown at about to mount his horse, from a series of four printsca. 1645Allegory of Penance and Death1612–50The Garden of Charityca.1631–37The Sacrifice of Isaac1640/ 42Damnation of Heresy1630/31
