Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This drawing is a study for an angel in a fresco executed in the church of San Giovanni in Laterano, in Rome. Painstakingly modeled with fine lines of black chalk, the dynamic, muscular figure of the angel recalls Michelangelo’s monumental nudes created earlier in the century, while the androgynous features of his face are typical of the elegant style favored in the late 1500s. Considered a child prodigy by his contemporaries, Giuseppe Cesari became the head of the artists’ academy in Rome at the young age of 31. His busy workshop was a training ground for numerous pupils, the most notable of which was perhaps Caravaggio.
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Follower of Donato Creti — Flying Angel with Sketches of Dov
Giovanni Battista Piazzetta (Italian, 1682–1754) — A Flying
Baccio Bandinelli — Academic Male Nude Representing Hercules
Francesco Salviati (Francesco de' Rossi) — Seated Nude Youth
François Boucher (French, 1703–1770) — Male Academy with Win
Parmigianino (Girolamo Francesco Maria Mazzola) — Seated Fig
Melchior Lorck (Danish, 1526/27–after 1588) — Crucified Man
Anonymous, Italian, Roman-Bolognese, 17th century — Putto
Peter Paul Rubens — Half-Figure of a Nude Man Facing Left, H
Giovanni Battista Cipriani — Two Putti Fighting
Hendrick Goltzius — Phaeton, from The Four Disgracers
Giulio Romano (Italian, 1492/99–1546) — Copy after Giulio Ro