Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Typical example of late- seventeenth-century tapestries depicting mythological scenes in wooded or parklike settings. From about 1660, these immensely popular light-hearted and slightly erotic mythological sets, usually depicting stories from Ovid's famous Metamorphoses were the lifeblood of the majority of Flemish and French workshops. The limited color range of these fashionable series and the absence of intricate large-sclae figures made them less costyly to execute than history sets. Antwerp and Oudenarde tapissiers in particular focused on this genre.
Be the first to share your thoughts.
Sign in to join the discussion.
Manufacture Royale d’Aubusson — The Arrival of Telemachus on
François Boucher — The Bird Catcher, from The Noble Pastoral
Charles Le Brun — Autumn, from The Seasons
Geraert Peemans — Clodius Disguised as a Woman from The Stor
François Boucher — Psyche's Entrance into Cupid's Palace [le
Wauters Workshop — Orpheus Playing the Lyre to Hades and Per
Gorgerat Frères et Cie. — Psyche et L'Armour (The Story of C
Manufacture Royale d’Aubusson — Archery from Amusements Cham
Jean Baptiste Monnoyer — The Elephant, from The Berain Grote
Lodewijk van Schoor — Abundantia, from The Four Continents a
Antonio Tempesta — The Fall of Phaeton
François Boucher — Psyche's Entrance into Cupid's Palace fro