Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Working with stunning speed, Richard Earlom produced 200 mezzotint landscapes after Claude Lorrain in three years and made this sizable plate less than three months after Joseph Wright of Derby completed the original painting. This impression is an early proof before letters, but the final published title boasted that “the Right Honorable Lord Melbourne” already owned the painting. He had bought it for 150 guineas directly from the artist’s studio, along with Wright’s Academy by Lamplight . The glow of the iron ingot on the central anvil is no less impressive in Earlom’s mezzotint rendition.
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Liber Veritatis: No. 89, View of a Mountainous Extended Cou
The Superb Lily, from The Temple of Flora
The Superb Lily, from The Temple of Flora
Liber Veritatis: No. 68, A Landscape at Sunset with Fisherm
Liber Veritatis: No. 145, A Landscape, with Figures, Simon
Liber Veritatis: No. 138, A View of the Sea, with Christ Pr
Liber Veritatis: No. 135, A Landscape, with Buildings, Merc
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs
Richard Earlom (British, 1743–1822) — The Blacksmith
John Boydell|Joseph Wright (Wright of Derby)|Richard Earlom
Eugène Delacroix — The Blacksmith
Charles Jacque|Auguste Delâtre — The Counterfeiters
Cornelis Dusart — The Violin Player Seated in the Inn
Charles Émile Jacque — Courtyard
Thomas Rowlandson — A Blacksmith
François Marius Granet — Binnenplaats
Adriaen van Ostade — The Family
Charles Jacque — The Counterfeiters
James McNeill Whistler — The Forge
Charles Émile Jacque — Courtyard Interior