Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Edward Steichen was one of the most influential photographers of the 20th century—a pioneering champion of art photography and an innovator in fashion and commercial photography. Lesser known, however, is his important role in World War I, as chief of the Photographic Section of the American Expeditionary Forces (AEF) from 1917 to 1919. Steichen, who had come to regard France as a second homeland after living there from 1906 to 1914, was quick to enlist once the United Statesa officially entered the war in 1917. Though at 38 he was eight years older than the Signal Corps age limit, his experience as a photographer made him a valuable recruit, and he entered active duty in July 1917 as a first lieutenant. World War I, sometimes called the first “modern” war, was marked by groundbreaking advances in technology, including photography. Steichen intended to be “a photographic reporter, as Mathew Brady had been in the Civil War,” but he quickly abandoned this romantic notion to help implement one of the newest weapons—aerial photography. Taking images from airplanes made it possible not only to observe a wide swath of the battlefield but also to track daily changes on the front lines. St
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Photographic Section, U.S. Air Service, American Expeditiona
Page from Tales of a Parrot (Tuti-nama): blank page
Hu Zhengyan (Chinese, c. 1584–1674) — Ten Bamboo Studio Pain
Anonymous — Blue paste paper
Lievin Cruyl (Flemish, c. 1640-c. 1720) — Sketches of Window
Bramine Hubrecht — Schetsboek met 45 bladen, met tekeningen
Charles Meryon — Diagrammatic sketch of building
Japan — Kesa
Anthonis van den Wijngaerde — View of Rome from the Janiculu
Anonymous — Towel
Turkey — Towel or Napkin
England or France — Panel (From a Petticoat)