Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.
Be the first to share your thoughts.
Sign in to join the discussion.
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Ma
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manual
明 胡正言 《十竹齋書畫譜》 四開 木版畫|Page from the Ten Bamboo Studio Manu
Page from Tales of a Parrot (Tuti-nama): blank page
Charles Percier|Pierre François Léonard Fontaine — Page from
Benigno Bossi (Italian, 1727–1792) — Mascarade à la Grecque
Bramine Hubrecht — Schetsboek met 45 bladen, met tekeningen
Luzio Romano (Italian, active 1528–75) — Architectural Plan
Pierre François Léonard Fontaine|Charles Percier — Page from
Anonymous — Sheet with overall splotchy pattern
Anonymous — Sheet with overall dot and circle pattern
Andrea Locatelli (Italian, 1695–1741) — Fragment of an Arch
Lievin Cruyl (Flemish, c. 1640-c. 1720) — Sketches of Window
Anonymous — Sheet with overall geometric pattern
Pierre François Léonard Fontaine|Charles Percier — Page from