Unknown Bolognese

Design for an Altar

n.d.
Pen and brown ink, with brush and blue and gray wash, over traces of graphite, on tan laid paper, laid down on ivory wove paper
49.5 × 33.8 cm (19.5 × 13.3 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Unknown Bolognese

Half Length Sketch of Girl with Crossed ArmsHalf Length Sketch of Girl with Crossed ArmsBaptism of ChristBaptism of ChristLandscape with Figure and HouseLandscape with Figure and HouseFragment of Seated Male NudeFragment of Seated Male NudeVirgin and Child on Clouds with Kneeling Male Saint (recto); Sketch of Two Female Figures (verso)Virgin and Child on Clouds with Kneeling Male Saint (recto);

More like this

Design for the Façade of Santi Faustino e Giovita, RomeCarlo Fontana — Design for the Façade of Santi Faustino e GiDesign for a doorway for a chapelAnonymous, British, 17th century — Design for a doorway for Ornamental Design for NicheLeonardo Marini — Ornamental Design for NicheDesign for a ReliquaryAnonymous, French, 18th century — Design for a ReliquaryTwo One Half Variant Designs for an Altar and a ChapelAnonymous, Italian, Piedmontese, 18th century — Two One HalfDesign for a Freestanding Tomb Seen in Elevation and PlanAntonio da Sangallo, the Younger — Design for a FreestandingDesign for a Wall TombAnonymous, French, 16th century|Jacques Androuet Du Cerceau Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in RomeBastiano Torrigiani — Design for the Tabernacle of the SistiDesign for an AltarAnonymous, Italian, Bolognese 18th century artist — Design fCourt Cupboard (recto); Half-page of rectangles, numbered and lettered (verso)Anonymous, French, 16th century — Court Cupboard (recto); HaDesign for a Reredos or Frame and Setting for an Altar PaintingPomarancio (Cristoforo Roncalli) — Design for a Reredos or FTwo alternate Design for a wall elevationAnonymous, Italian, Piedmontese, 18th century — Two alternat