Jean Louis André Théodore Géricault
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These lithographs from The English Suite exhibit Théodore Géricault’s attention to working horses and the urban poor of 19th-century London. Two prints depict the horse-shoeing process; in one, the French farrier holds the horse’s hoof while an apprentice prepares a horseshoe in the back room. In another print, a Flemish farrier affixes the hot metal. In the pair of prints, an elderly man and woman are stranded in the city streets; bakers ignore the man slumped below their open shop window.
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Head of a Guillotined Man
Seven Sketches of Pairs of Boxers or Wrestlers
Sketches: Stable Boy Carrying a Bucket
General of the First Empire Giving his Cavalry Orders to Cha
Portrait of a Man
Sketch of a Horse Facing Right and a Caricature in Profile
Caricature of a Man Wearing a Broad-Brimmed Hat
Studies of a Grenadier and a Munitions Cart
Théodore Gericault — Pity the Sorrows of a Poor Old Man
Thomas Rowlandson — Miseries of London, or a Surly Saucy Hac
S. W. Fores|Thomas Rowlandson — The Guardian of the Night
Honoré-Victorin Daumier — “Damn! They are happier than their
Paul Gavarni (French, 1804–1866) — Baliverneries Parisiennes
Honoré Daumier (French, 1808–1879) — The Auction House: The
James Gillray — The Hustings
Henry Thomas Alken|Thomas McLean — Songs: "That Love's a Tyr
Honoré-Victorin Daumier — The Election Hoax. “My dear friend
Honoré-Victorin Daumier — The Drunkard
William Hogarth — Noon: The Four Times of Day
Aubert et Cie|Honoré Daumier — "Ne laissez donc pas vôtre am