Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Daumier’s 50-print series Stories from Antiquity appeared in Charivari over about a year. The Greek poet Sappho is said to have killed herself over a love affair, though specific details of her death are scant. Here Daumier added a helpful Cupid to nudge the unhinged but indecisive figure over the edge, while Charivari writers supplied verses significantly less artful than Sappho’s:Young ladies, you see where love leads us Under our feet so dainty and small The wretched chasm of an abyss Into which we eventually fall.
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Two Lawyers
The Print Collector
Exploiting friendship. “My dear Alphonse, I've invited these
Robert: “- Well, well! My dear director... how's business?”
Mr. Prune, plate 288 from Célébrités de la Caricature
“God! How I loved that fellow there!,” plate 16 from Caricat
A Victim of His Own Politeness, plate 7 from Croquis Musicau
A Candidate. “Who do you want?... An upright, conscientious,
Honoré Daumier (French, 1808–1879) — The Baptism of Achilles
Théophile-Alexandre Pierre Steinlen — Serbia: Sister Anne, p
Odilon Redon (French, 1840–1916) — Melancholy
Charles Rambert — Plate Three from Misery
John Hamilton Mortimer|Sir Joshua Reynolds — Elegy, from "Fi
Paul Gavarni — Untitled (Two Basque Girls)
Honoré Daumier (French, 1808–1879) — Introduction of Ulysses
Francisco de Goya (Spanish, 1746–1828) — Tantalus, Plate 9
Henri Fantin-Latour — Tristan and Isolde, Act II: Signal in
Théophile-Alexandre Pierre Steinlen — Serbia: Sister Anne, p
John Hamilton Mortimer|Sir Joshua Reynolds — Elegy, from "Fi
Francisco José de Goya y Lucientes — Disorderly Folly, plate