Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
As with most of Crome’s landscapes, the scenery depicted is located close to his Norwich home. Mousehold Heath, with its panoramic view and low-lying horizon, is the most dramatic of the artist’s thirty-three etchings. The foreground of untamed, uncultivated land is juxtaposed with windmills in the background, signs of man’s attempt to harness nature and make it complicit in its own taming and domestication. The stormy, windswept sky indicates the true character of such natural forces to be ultimately uncontrollable.
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Rembrandt van Rijn (Dutch, 1606–1669) — Copy of View of Amst
Antonio Canaletto (Italian, 1697–1768) — Views: A Woman Dra
Anthonie Waterloo (Dutch, 1609/10–1690) — Twelve Landscapes:
Samuel Prout (British, 1783–1852) — A Series of Ancient Buil
Alphonse Legros (French, 1837–1911) — The Farm on the River
Allart van Everdingen (Dutch, 1621–1675) — Man in Gateway of
Eugène Isabey (French, 1803–1886) — Église de St. Nectaire
Charles François Daubigny (French, 1817–1878) — The Thicket
Aelbert Cuyp (Dutch, 1620–1691) — Landscape with a Windmill
Rembrandt van Rijn (Dutch, 1606–1669) — The Windmill
Rembrandt van Rijn (Dutch, 1606–1669) — View of Amsterdam fr
Auguste Louis Lepère (French, 1849–1918) — The Twisted Tree