Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giambattista Brustolon was a printmaker from Belluno, Italy, who used a combination of etching and engraving in his reproductive prints. Employed by the best Venetian publishers, he was well known for his works after Canaletto: views of Venice, published in 1763, and scenes of ceremonies and festivals, published around 1770.
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Giovanni Battista Moretti|Lodovico Furlanetto|Giovanni Batti
Michele Marieschi (Italian, 1710–1743) — S. Giorgio Maggiore
Lodovico Furlanetto|Giovanni Battista Brustolon|Canaletto (G
Lodovico Furlanetto|Giovanni Battista Moretti|Giovanni Batti
Michele Marieschi (Italian, 1710–1743) — Views of Venice: T
Canaletto (Giovanni Antonio Canal) — The market on the Molo
Michele Marieschi (Italian, 1710–1743) — Views of Venice: T
Canaletto — The Market on the Molo, from Vedute
Giacomo Guardi — The Island of San Giorgio Maggiore, Venice
Francesco Tironi — View of Mazzorbo
Francesco Guardi — Panorama of Venice from the Bacino di San
Charles Melchior Descourtis — View of the Tuileries, the Lou