Canaletto

The Market on the Molo, from Vedute

1735/44
Etching in black on ivory laid paper
14 × 21 cm (5.5 × 8.3 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Canaletto

Imaginary View with a Tomb by the LagoonImaginary View with a Tomb by the LagoonA Lock, a Column, and a Church beside a LagoonA Lock, a Column, and a Church beside a LagoonPiazza San MarcoPiazza San MarcoCampo Santa Maria Zobenigo, VeniceCampo Santa Maria Zobenigo, VeniceThe Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the RightThe Grand Canal, Venice, Looking Southeast, with the Campo dWarwick CastleWarwick CastleCampo Sant'Angelo, VeniceCampo Sant'Angelo, VeniceGrand Canal: San Geremia and the Entrance to the CannaregioGrand Canal: San Geremia and the Entrance to the Cannaregio

More like this

Views:  The Market on the MoloAntonio Canaletto (Italian, 1697–1768) — Views: The Market The market on the Molo in VeniceCanaletto (Giovanni Antonio Canal) — The market on the Molo Houses Overlooking a Port, from Views of the Port of LivornoStefano della Bella — Houses Overlooking a Port, from Views The Slave MarketJacques Callot — The Slave MarketView of MazzorboFrancesco Tironi — View of MazzorboThe Slave MarketJacques Callot — The Slave MarketViews of Venice:  CannaregioMichele Marieschi (Italian, 1710–1743) — Views of Venice: CThe Slave MarketJacques Callot (French, 1592–1635) — The Slave MarketView of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)Stefano della Bella — View of the fortifications, two men liS. Giorgio MaggioreMichele Marieschi (Italian, 1710–1743) — S. Giorgio MaggioreLe départ d'une GalèreStefano della Bella — Le départ d'une GalèreThe Rape of EuropaClaude Lorrain (Claude Gellée) — The Rape of Europa