Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
One can assume that the popularity of the earlier Power of Women series (on view nearby) inspired Lucas to produce another similar group. Also consisting of six subjects but somewhat smaller in size, this set reveals Lucas's increased ability to integrate figures more naturally into a setting. This scene, in which one of his wives persuades Solomon to worship idols, also demonstrates a desire to follow Albrecht Dürer's systematic style of hatching to produce tonal effects (see Dürer's The Large Passion: The Last Supper).
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Urs Graf the Elder (Swiss, c. 1485–1527/29) — Mercenaries an
Albrecht Dürer (German, 1471–1528) — The Presentation of the
Albrecht Dürer (German, 1471–1528) — Life of the Virgin: Pr
Heinrich Aldegrever (German, 1502–1555/61) — The Story of Lo
Albrecht Dürer (German, 1471–1528) — The Life of the Virgin:
Lucas Cranach the Elder — Saint Thomas, from The Martyrdom o
Lucas van Leyden — Solomon's Idolatry [I Kings, 11:1-8]
Hans Baldung (called Hans Baldung Grien) — The Last Judgment
Albrecht Dürer (German, 1471–1528) — The Small Passion: The
Lucas Cranach the Elder — Andrew from the Martyrdom of the T
Abraham Waesberge|Albrecht Dürer — Engraved copies of The Li
Albrecht Dürer — The Presentation of the Virgin in the Templ