Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Claude Lorrain characteristically depicted sea harbors along shorelines and often used mythical figures to complete his classical landscapes. Derived from Ovid’s book Metamorphoses , The Rape of Europa illustrates Jupiter as a white bull, while the object of his desire, Europa, unsuspectingly rides on his back before being carried out to sea. Instead of portraying the typical scene of Europa’s abduction, Lorrain chose to depict her initial entrapment by Jupiter, in keeping with the artist’s arcadian and poetic nature.
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Claude Lorrain (Claude Gellée) — The Rape of Europa
Claude Lorrain (Claude Gellée) — The Rape of Europa
Claude Lorrain (Claude Gellée) — Coast Scene with an Artist
Claude Lorrain (Claude Gellée) — Coast Scene with an Artist
Christian Wilhelm Ernst Dietrich — Wayfarer's Camp
Claude Lorrain (French, 1604–1682) — Landscape with a Countr
Claude Lorrain (Claude Gellée) — Harbor Scene with Rising Su
Jean Jacques de Boissieu — The Old Tower at the Edge of a Ri
Stefano della Bella — Houses Overlooking a Port, from Views
Claude Lorrain (Claude Gellée) — The Vision
Claude Lorrain (French, 1604–1682) — The Draughtsman
Reinier Nooms, called Zeeman — Merchant Ships