● On view now — Gallery 132
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Bronze sculptures of real and imaginary animals are generally known as "Ordos" after the Ordos Desert in which they were first discovered in the early twentieth century. This northern and northwestern frontier of China—which also includes the forests and grasslands of present-day Inner Mongolia, Outer Mongolia, southern Siberia, and parts of Central Asia—was occupied by hunting and herding tribes during the first millennium B.C. The precise ethnic identities of most of these tribes are unknown; ancient Chinese texts refer to many of these tribes by ancient regional names rather than by the names by which the tribes called themselves. The vigorous lifestyle of these nomadic horsemen is reflected in their bronzes, which originally embellished chariots, harness equipment, and personal accessories. In its strikingly lifelike modeling, this relaxed but spirited stag exemplifies a new realism that entered Chinese art toward the end of the Bronze Age. Although the socket in its back indicates that this animal once supported a shaft, its exact function is unknown.
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Northwestern Inner Mongolia or Northwestern China (Ningxia a
Eurasian steppes — Pole Cap with Antelope
Moche — Stirrup Spout Vessel in Form of Llama with Figure on
Inca — Offering Vessel in the Form of an Alpaca
Northern China or Inner Mongolia — Pole Top with Double Bird
Lambayeque — Ceremonial Knife (Tumi) With Figural Scene and
China, probably Shaanxi province — Tripod Cylindrical Jar (L
Moche — Vessel in the Form of a Deer Impersonator
Islamic — Zoomorphic Vessel
Chimú-Inca — Bottle in the Form of an Amorous Couple
Chimú — Stirrup Spout Vessel Depicting Frogs Mating
Korea — Water Bottle (Kundika)